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'A Lonely Walk' Mynydd Mawr

Sheltering from the howling gale I found myself fascinated by the snake-like vein in my rock windbreak. When there's not a soul about and the landscape feels empty, I find myself looking more intently at the things closer to me, rather than the bigger views. I've never rationalised why I do this, but I think there's a sense being 'shared' with the immediate environment, that for a brief time when you are there, the features are like those of companions. I honestly talk to inanimate objects sometimes, as if I know them and appreciate them for simply being there, showing themselves to me.

This isn't just pandemic madness, I've always done this! The landscape often speaks to me, as I do to it.

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Snowdonia
Sheltering from the howling gale I found myself fascinated by the snake-like vein in my rock windbreak. When there's not a soul about and the landscape feels empty, I find myself looking more intently at the things closer to me, rather than the bigger views. I've never rationalised why I do this, but I think there's a sense being 'shared' with the immediate environment, that for a brief time when you are there, the features are like those of companions. I honestly talk to inanimate objects sometimes, as if I know them and appreciate them for simply being there, showing themselves to me. <br /> <br /> This isn't just pandemic madness, I've always done this! The landscape often speaks to me, as I do to it.
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