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  • Major feature interview about my Landscape Photography of North Wales, Snowdonia & Anglesey<br />
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BUY A COPY HERE https://bit.ly/3lpG2gY
    Outdoor Photography Magazine - Aug 2020
  • Images of Anglesey Landscapes
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  • The sun lies, there was NO warmth up here, just a severe and bitterly cold wind blowing from the East over the Carneddau. Slices of sunshine simply skimmed right off the snow surface and was lost in the air. The only compromise was the perfectly rounded and deeply satisfying contour of Moel Wnion in the sunlit distance.
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  • Beautiful evening sunlight filtering throiugh a tiny woodland on sand dunes near West Anglesey.
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  • Sunset over crystal clear rock pool in low cliffs near Rhosneigr, Anglesey, Wales
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  • UK; British Isles; Wales; Anglesey; Ynys Mon; Church Bay; Porth Swtan; Irish Sea; sea; water; sunset; shore; shoreline; boulders; dusk; tranquil; evening; Coast; coastline; tide; Holyhead, Holyhead Mountain,
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  • An isolated large cloud passed over a cloudless blue sky and darkened all the hill tops of the Carneddau in the distance, but intense sunlight continued to blast the 1000ft cliffs just ahead of me, beautiful and natural tonality
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  • The Milky Way gradually comes into view in a crystal clear sky over our hut at the We Kabi Safari Lodge (Maltahöhe) in central Nambia. The heat was intense even at night and although the thatched roof looked fantastic, the lack of fan and air conditioning made sleep almost impossible.<br />
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Outside however the air was cool enough to enjoy just staring at the incredible night sky. This was the darkest sky I’ve ever seen and it depicted the stars and constellations with a clarity that I’ve never before experienced.
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  • After an absolutely superb day of being in the sea, underwater photography, sea photography, harbourside cold beers, Philps Cornish pasties followed by an afternoon in baking sunshine on the beach with a cold G&T, the short amble back to our cottage was in stunningly colourful evening sunlight.
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  • A heart pumping ascent; cold air stabbing the lungs; boots slipping on wet rock - why do we do this? The reasons are many, but for me at least it’s that vague hope that a blanket of grey turns to a theatre of dramatic light, an opportunity for me to revel in the ever-changing performance of the weather on the landscape stage. Yes I also know it’s doing me good, keeping me fit, healthy and mentally balanced, but honestly it’s mostly the hope of finding genuine visual excitement in the natural world.<br />
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So much ‘landscape photography’ these days is about creating fake dreams through software, landscapes that bear no resemblance at all to what the human eye saw and it dumbfounds me. There really are amazing, mind-blowing miracles of light and weather to be observed so why do so many accept the con of the social media fakery? Have we truly lost the human ability to see the beauty in the world about us, and can only ever get our fix from fabricating over-processed lies?<br />
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I choose to continue to look for miracles that anyone can see when they stand next to me. Yes I need to know how my camera works and how to reproduce that beauty in file and on paper; yes I have no choice but to minimally & judiciously develop a digital file, but for me, it has to be a celebration of the real world and the magic that actually exists.
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  • There was one particular location which seemed to be ‘going off’ in surfers terms anyway, a point where even the smallish waves were still powerful enough to slam the small cliff buttresses and send spray skyward, but this same spray was voluminous and very wetting and in itself is problematic for photography as the lens gets covered in seconds not minutes, and in this light every drop on your lens becomes a backlit orb ! I studied the short reef in front of me and calculated where the waves would cover, finding a dry pinnacle on which to set my tripod, an item of equipment that was imperative today. I stood smugly on my dry fortress and waited for the waves and light to work together and shot perhaps four frames of waves I thought would deliver the results foreground and background but then a white wall started to approach me ! My guts revolved as one exceptional wave stood out from the sets and it came from a different angle too. The speed seemed faster than the rest - it wasn’t - but in my fear it was ! There was nothing I could do but brace myself as it rose up over the rocks and simply pushed past me like a mini Tsunami reaching my thighs!!!! The force was strong [Luke !] but the tripod and my legs remained firm against the push and thank God, because if not I would have fallen backwards into a small gully and whilst I would not have drowned I would likely as not have injured myself and lost £10K of camera gear ! The wave exploded in laughter as it died in the shore and the next waves smiled at me as they strolled past. Thing is, I got the shot boy ! :-) MY Paramo Cascada trousers and my Asolo mountain boots meant that incredibly, I didn’t get wet at all, I could have been wearing a wetsuit !
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  • Waiting, there is always waiting when photography is concerned. A partner waits. A Photographic Timeline.
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  • Although it looks like a beautiful Summer’s evening, this picture was taken one February and five minutes after this scene, a thick, heavy and freezing fog swirled in from the sea and I could hardly see in front of me.   The upside to winter photography is that you have the beach to yourself; undisturbed sand and the chance to immerse yourself in the sensory joys of simply ‘being’ and becoming enraptured by the drama of nature.
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  • Absolutely delighted to have one of my New Mexico images selected for the AOP exhibition “HOPE” - once again proud to be alongside some major names in photography.
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  • The water was warm & clear (mostly) and I was in my element diving under the waves around the barnacled reef. There is so much luck with composition in this sea photography business, but amazingly this is full frame, and just worked for me, with beautiful light & colours even with waves crashing overhead.
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  • Honourable Mention in 14th (2021) International Colour Awards (Architecture category)<br />
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Shortlisted for British Photography Awards 2019<br />
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Evening sunlight catching the rooftops of the single storey buildings in Playa Blanca
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  • Digital Photography Made Easy Magazine - 2004
    DPME p.40-41
  • Digital Photography Made Easy Magazine - 2004
    DPME p.42
  • LOVING the moody weather - for photography at least :-)
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  • An incredibly gale blasted early morning hike into the Welsh hills. I was literally blown over twice and the tripod was next to useless for photography. The light conditions and cloud effects were not what I’d hoped for but it was strangely beautiful in it’s super-bright blanket of haze, softening the distant hills and making Tryfan stand out in a way I couldn’t have imagined. Nevertheless the quality of light diminished with every passing minute, so I was happy to race back down the mountain to meet up with friends to go rock-climbing on Tryfan Bach!
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  • We have sold 900 copies of this book, and the last 100 copies are being removed from sale until August 2024 to coincide with a major exhibition of my work at the Oriel Ynys Môn.<br />
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This is my 4th & largest landscape book so far. Images are from my wanderings across the intriguingly beautiful regions of Anglesey, Snowdonia & the Llyn.<br />
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This is not a book 'about' Wales, but instead a personal collection of atmospheric images stimulated by the light, weather & culturally influenced landscape of this spectacular area.<br />
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You may recognise many of the places in this book, but when you study the body of work 'as a whole' you will hopefully notice something else, something unfamiliar - sometimes disturbing, sometimes melancholy, occasionally uplifting - something that has more to do with a spiritual connection to this ancient earth, infinite skies and that fragile thing called 'life'. Welsh Light is more than just an interpretation of a magical landscape; it's a momentary insight into my search for the 'bigger picture'.<br />
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"Glyn Davies is obviously a photographic artist, but he is also a practitioner in total control of the technicalities of his medium. Enjoy this special body of work."<br />
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Roger Tooth, head of photography, the Guardian
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  • We may not have had the week of baking sunshine and relaxing swimming but from a photography perspective the gales and storms brought superb conditions and lighting. The jetty at Sennen always takes a pounding from the Atlantic but the golden evening sunshine disguised the awesome power of the Atlantic swell.
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  • Honourable Mention in 14th (2021) International Colour Awards (Architecture category)<br />
<br />
Shortlisted for British Photography Awards 2019<br />
<br />
Evening sunlight catching the rooftops of the single storey buildings in Playa Blanca
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Glyn Davies, Professional Photographer and Gallery

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