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  • The Celtic Cross shaped memorial at the highest point of ChurchIsland stands proud, just, above the fog draped Menai Strait.Though the fog obscured much of the view, the extreme low tide revealed a landscape not often seen.<br />
<br />
On the way to work that Friday, I couldn't even see the end of our road for thick fog! As I had all my kit with me for a day's studio shooting, I drove via the bridges to see what atmospheric effects might be occurring. Whilst approaching the first lay-by, I saw a beautiful recessional tonal layering of tall trees disappearing into thick fog, almost top-lit by the weak early morning sun. However by the time I'd parked the van the fog has shifted and the recessional effect had reduced, so I walked right down to the edge of the Menai Strait to see whether either of the bridges would show through. This time I had the opposite problem where the fog was so thick I couldn't even see the field alongside me or more than 30 ft out onto the silent Strait. I trudged along a damp, muddy and waterlogged foreshore eventually meandering back up the misty fields to the road. Ironically, from this elevation, higher above the Strait, and with the sun starting to back-light the fog, I enjoyed several stunning variations of view from just a 200 yd stretch of road. The light, sunshine and fog were all dancing across the fast water when regrettably, I had to leave to open the gallery at 10.00 :-(
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  • The thick fog not only enveloped the beautiful Menai Strait, it also flowed deep into the woodland, separating trees and copses into delicate tonal patterns and textures, creating an almost rain-forest like appearance. <br />
<br />
On the way to work that Friday, I couldn't even see the end of our road for thick fog! As I had all my kit with me for a day's studio shooting, I drove via the bridges to see what atmospheric effects might be occurring. Whilst approaching the first lay-by, I saw a beautiful recessional tonal layering of tall trees disappearing into thick fog, almost top-lit by the weak early morning sun. However by the time I'd parked the van the fog has shifted and the recessional effect had reduced, so I walked right down to the edge of the Menai Strait to see whether either of the bridges would show through. This time I had the opposite problem where the fog was so thick I couldn't even see the field alongside me or more than 30 ft out onto the silent Strait. I trudged along a damp, muddy and waterlogged foreshore eventually meandering back up the misty fields to the road. Ironically, from this elevation, higher above the Strait, and with the sun starting to back-light the fog, I enjoyed several stunning variations of view from just a 200 yd stretch of road. The light, sunshine and fog were all dancing across the fast water when regrettably, I had to leave to open the gallery at 10.00 :-(
    GD000873.jpg
  • Night time fog swirls in from the Irish Sea and up the Menai Strait, enveloping the Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
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  • Menai Suspension Bridge (Welsh: Pont Grog y Borth) is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
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  • Nominated image in the 13th Black & White Spider Awards 2018<br />
<br />
Everyone who visits the area has heard about ‘The Swellies’ and only the experienced sailor dares take their yacht between the two famous bridges knowing full well about the infamous whirlpools that have been known to suck kayakers down into the depths before releasing them downstream! These large and very powerful whirlpools only appear at certain stages of the tide, as a massive volume of sea funnels up to the bridges. On the day we filmed this location our skipper killed the RIB engine and showed us just how quickly we could be spun around and pulled towards the vortex. It was both awe inspiring and eerie and a spectacle to remember. <br />
<br />
In the background stands the Telford Suspension Bridge, completed in 1826, the first of the two marvels of industrial engineering that finally allowed people and traffic to cross from mainland Wales to Anglesey without the need for ferries. Many people lost their lives crossing the treacherous Menai Strait on small boats and ferries before the bridges were built.
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  • ONLY AVAILABLE UP TO A3 size<br />
<br />
Full moon over the Menai Bridge at dusk.
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  • After weeks of lockdown in South Africa, where we were not even allowed to leave the front gate except to get food, it has been a mental overdose of freedom to do something as simple as a little walk around our local town. We are luckier than some, in that at least we have the Menai Strait nearby, and fields to walk through. It’s liberating and uplifting and what I took for granted in the past now seems mesmerisingly beautiful, even when the light wasn’t perfect like today. Freedom is everything, and anyone who thinks prison is easy because they have TV and a pool table, clearly haven’t been self isolating properly, let alone experienced proper lockdown even in their own homes. No matter how big your TV or how many films you have to watch or books you have to read, when you are told you can't leave your from gate your own home becomes a prison and there suddenly becomes a desperate need to get outside! Prison is a mental killer
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  • Looking through trees in early morning sunshine across a sparkly Menai Strait at the tiny island of Ynys Gorad Goch. At high tide the house, a non permanent residence, almost appears to float and is only accessible by boat
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  • Just the strangest early morning cloud formations over a tranquil Menai Strait at high tide. Above the darkness of the shadowed hillsides, clouds slowly changed shape and size,creating an incredible if slightly surreal skyscape. <br />
<br />
It was like watching a vast charcoal drawing in the making by invisible hands.
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  • Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
    GD000057.jpg
  • Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826. Here the floodlit bridge spanning the Menai Strait is backed by snow covered Welsh mountains of Snowdonia
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  • Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
    GD000041.jpg
  • Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826. Here the floodlit bridge spanning the Menai Strait is backed by snow covered Welsh mountains of Snowdonia
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  • Night time fog swirls in from the Irish Sea and up the Menai Strait, enveloping the Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
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  • A moon rises in a blue sky as a gentle sunset falls across the Menai Bridge through woodland trees on the banks of the Menai Strait.
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  • This was a bright, fresh, sunny image (though the moon was an added bonus!) that I shot specifically for Menai Bridge Town Council for use on their website.<br />
<br />
It was refreshing to be able to take a view of the bridge from a different angle, having been given the kind permission to shoot from one of the gardens of the amazing houses on that side of the Strait.My Nain & Taid used to live in Eithinog Farm a little higher than where this image was taken, but it’s a view I know vividly from childhood walks down through the Brewery Fields to cross the bridge
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  • An eary morning mist over the tidal Menai Strait, shrouding the idyllic church and graveyard of St Tysilio Island, Anglesey. Menai Suspension Bridge (Welsh: Pont Grog y Borth) is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826. It stands proud of the small church island
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  • “An eary morning fog rolls in off the sea, shrouding the idyllic church and graveyard of Ynys St Tysilio, Anglesey.<br />
<br />
The 100 foot high Menai Suspension Bridge, completed in 1826 by Sir Thomas Telford, looms above the sea fog which burned off by mid-morning
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  • Night time fog swirls in from the Irish Sea and up the Menai Strait, enveloping the Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
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  • Thick morning fog envelops the Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
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  • Thick morning fog envelops the Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
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  • Early morning frost on the banks of the Menai Strait, Anglesey, with the beautiful Menai Suspension Bridge looming in the background, built and completed by Sir Thomas Telford in 1826. The stone circle is monumental rather than real.
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  • Thick morning fog envelops the Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
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  • The tradional and long established "Ffair Borth" or Menai Bridge Fair, at Menai Bridge village on the Isle of Anglesey. This was once a horse fair, but is now predominantly a fun fair  aimed at youngsters, which demands closure of several roads and car parks for the two days of the event
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  • Thick morning fog envelops the Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
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  • Once again I was lured by the evening light over the Menai Bridge. I never aim for those ever popular viewpoints but I drive past them almost daily so perhaps it’s no surprise that ocassionally the view delivers something beyond the normal beauty it holds. <br />
<br />
The moon rose rapidly, shrinking in size by the minute as it did so. I only managed a few frames before the moon was obscured by cloud anyway, but I’m glad I stopped anyway to enjoy this very magical and serene moment.
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  • Surprisingly, with the beautiful Telford’s Suspension Bridge carrying dozens of morning commuters’ vehicles every minute, there was a peaceful serenity down here at the water's edge. I stood on the gritty shoreline and watched as the calm water silently rose up my boots towards my ankles, visible, discernible a creeping cleansing of everything in its path. <br />
<br />
Oystercatchers called from a nearby drowning mud flat after being disturbed from their slumber in the warm morning sunshine.  I could hear the sound of the tide as it surged past the huge arches stood steadfast in the Menai Strait. <br />
<br />
Intermittent puffs of smoke rose from the old waterside cottage, its timber panels faintly creaking as they warmed.  No one appeared at the windows and no one could be seen walking the bridge and even the dog walkers of the Belgian Prom seemed absent. There was a sense of tranquillity in this normally busy spot.
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  • A year and a half on from my March Mist Series 2003, the Menai Suspension Bridge was once again shrouded in heavy mist. I was down at the water's edge at breakfast time and it was warm but quite eerie. From this angle, it was hard to see any of the pre rush hour traffic and in the silence, I was able to consider just how old and beautiful this bridge is, and the events and people in history that it's witnessed.
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  • Menai Suspension Bridge (Welsh: Pont Grog y Borth) which is a stone built Victorian suspension bridge between the island of Anglesey and Bangor and mainland of Wales. The 100ft high bridge was designed by Thomas Telford and completed in 1826.
    GD001281.jpg
  • A year and a half on from my March Mist Series 2003, the Menai Suspension Bridge was once again shrouded in heavy mist. I was down at the water's edge at breakfast time and it was warm but quite eerie. The bridge occassionally disappeared into complete whiteness, but towards the end of the session a ghostly sun gently burnt through the mist, right in between the arch, and gave this wonderful mix of elemental conditions. Ten minutes later and the mist had evaporated to leave a gorgeous day.
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  • Beginning of a new day at Afon Menai. Morning light splashes over the beautiful suspension bridge and the sleeping town of Menai Bridge. Always something wonderful about early morning and the promise of hope and things to come.
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  • Solar Eclipse Menai Bridge 2015
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  • Solar Eclipse Menai Bridge 2015
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  • Early morning mist over the Menai Strait from the Cadnant bridge, Menai Bridge.<br />
<br />
Available as unlimited A3 & A4 prints
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  • Dilapidated boathouse between the tiny islands off Menai Bridge, Porthaethwy, Anglesey, Wales
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  • Solar Eclipse Menai Bridge 2015
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  • After weeks of lockdown and social distancing, our short walks have become a lifeline, an escape, a therapy and a salvation. The world is a surreal place at present but seeing the gravestones, watching the tide come in and go out, are things that make you realise that the planet has seen all this before. Our generation will too be gone, sooner or later, but life will go on, the planet will survive and what we take as ‘normal’ is only a temporary view of our time on this planet, not of the planet itself.
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  • Bangor Pier looms through the early morning fog over the Menai Strait on Easter Day 2015.
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  • En route to an afternoon in the Welsh hills, I stopped off to check the state of the snow, and just loved the light over the Strait, and in particular the way it highlighted Ynys Gorad Goch. Having just absorbed the view for a few minutes, it changed my mind from walking Drosgl, to walking Moel Eilio and Foel Goch instead ! :-)
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  • Bangor Pier looms through the early morning fog over the Menai Strait on Easter Day 2015.
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  • Bangor Pier looms through the early morning fog over the Menai Strait on Easter Day 2015.
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  • En route to an afternoon in the Welsh hills, I stopped off to check the state of the snow, and just loved the light over the Strait, and in particular the way it highlighted Ynys Gorad Goch. Having just absorbed the view for a few minutes, it changed my mind from walking Drosgl, to walking Moel Eilio and Foel Goch instead ! :-)
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  • Morning sunlight through a lush green leaf canopy of woodland trees alongside the Menai Strait on Anglesey, Wales.
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  • From a series of images quietly developing throughout this ever-extending forced lockdown. Most of the local walks I’ve been limited to recently, have brought me up close to some wonderful trees and enchanting woodlands. Since moving to this area around 30 years ago, I’ve been slightly disappointed by the lack of big woodlands around here, but the lockdown has made me realise that although limited, there really are some beautiful tree subjects around and about. In this woodland, bordering the banks of the Afon Menai, even a tall, dead tree caught my eye, dominating a clearing of its own making, retaining form and even beauty in its angular skeletal limbs. Decades after forays into woodland projects in the Cornwall of my teen years, I have found increasing enjoyment from getting close to trees once more.
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  • It’s been 50 years since the original ‘tubular’ railway bridge burned down, so this year there has been much talk about this iconic piece of civil engineering, designed by Robert Stephenson and opened in 1850. <br />
<br />
When you stand under the bridge today, looking up at the gigantic steel arches, it’s shocking to realise just how much change occurred during the post-fire rebuilding. These steel arches never existed before. The concrete decks that now hold a highway, were not there before. The original wrought iron tubes are no longer there. The only original structures are the towers themselves. And yet whenever I think of this bridge I still imagine it’s been there forever.
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  • More surreal moments in the thick fog of late. This was before work on a cold December morning. The Britannia Bridge was one minute complete, the next half missing as the vapour pulsed to and fro across the Afon Menai. A lonely gull leaves the islet of Ynys Gorad Goch, flying into nothingness
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  • A full moon arose in the glowing pink of dusk but as it ascended a bank of soft cloud gently obscured it’s luminosity
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  • I was actually really excited by the subtle delicacy of it all, really ethereal and slightly surreal. I therefore left this one in colour as the muted shifts of almost desaturated colours present an honesty about the transformation of everyday vistas through simple elemental conditions.
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  • Images of Anglesey Landscapes
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  • This was a handheld snap on the way home from the pub after celebrating my Mum’s birthday. When you look at scenes like this, it makes you realise just how damned lucky we are to live in such an incredible place.
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  • From a personal project looking at buildings & urban spaces under unusual or striking lighting, as if landscapes.
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  • Late afternoon sunlight on a dilapidated old boathouse in Porthaethwy on the Isle of Anglesey.  This place has been patched & patched over the years and I'm surprised it's still standing at all.
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  • A very wet walk on Anglesey's West Coast, so wet that for the first time ever I carried an umbrela with me to cover the camera. It was very useful without a doubt. This was the first time this year when I felt the cold and resorted to wearing gloves to carry the tripod!  © Glyn Davies - All rights reserved. Blog post about this image will appear here: http://www.glynsblog.com
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  • Available in Limited Editions of 3 x A1 and 5 x A2 prints, plus unlimited prints in the A3 and A4 sizes.
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  • A very wet walk on Anglesey's West Coast, so wet that for the first time ever I carried an umbrella with me to cover the camera. It was very useful without a doubt. This was the first time this year when I felt the cold and resorted to wearing gloves to carry the tripod!
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  • Available in Limited Editions of 10 x A1 and 10 x A2 prints, plus unlimited prints in the A3 and A4 sizes.
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  • Nant Ffrancon Pass in a cold winter
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  • Hills of the Llyn Peninsula
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  • A Boxing day walk, alone, in the weather and the howling winds. Amazing, elemental, the antithesis to Christmas, natural, wild, empty, unpackaged. I stood three times in the middle of a semi-drowned estuary, sheltering behind my huge (braced) umbrella whilst squalls pounded the nylon and winds flipped the edges of the material like a machine gun. So noisy was the wind that it was hard to tell whether the rain had stopped! I headed for the dunes and a brief few moments of sunshine trying to break through the cloud cover, but soon it was dark, and I had to meander my way back across the dunes to the car park, tripping frequently over rabbit holes and clumps of thick grass.
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  • After a two hour slog up from sea-level valley to mountain top, loaded with photo gear & warm clothing, we were made to feel humble by a young woman climbing to the summit itself. Her pale soft skin contrasted with the sharp, rough rock but with such purpose, grace and balance, as if a slow motion dance, we could see her muscles working as she pulled, stepped into and lay-backed the arete before standing tall at the highest point to feel the cool mountain-top breeze caressing her hot skin. Below, we huddled up and drank coffee and ate sandwiches.
    Woman Ascending
  • And so it was, at about 4.00 pm, I headed for the West Coast of Anglesey, as usual, to catch the dipping sun. I turned up at one of my favourite spots and ambled, totally arbitrarily along the shoreline, enjoying the water, the sounds, the heat and colours of the warm sun and the glistening rocks emerging from the receding tide. Funnily enough, the stark sunshine, at this time of day, at least creates strong shadows, long shadows and sparkling sea tops. As it sank lower the colours intensified further and amazing hues resulted, almost, but not quite unbelievable.
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  • I love the way the virgin snow of the drift seems to funnel upwards like an ice cream cone before exploding outwards across the sky in a 180º spread. <br />
<br />
It was an icy cold but beautiful day in the snowy mountains of the lower Carneddau. The walk which we planned to finish in 5 hours, had to be shortened drastically as thick snowdrifts made progress unbelievably slow. We cut out two peaks and walked just below the summits to save time but we still ended up on dangerous unconsolidated snow, hiding treacherous ankle-snapping drops into streams below. We finally arrived in near darkness at the Aber valley far below, in pain and having learned lessons for sure.
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  • These A5 Christmas cards are only available in multiples of 10 of the same image.<br />
<br />
They are printed on archival cotton rag paper using pigment ink.<br />
<br />
Each image comes with an envelope and is sealed in a polyester sleeve.<br />
<br />
Each card contains a single watermark within the image, to © Glyn Davies.com.<br />
<br />
The cards are blank inside for your own message, and do not have any other wording on the card front.<br />
<br />
PLEASE NOTE that the price is for a set of 10.
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  • Featureless mountain-tops led down to isolated 'findings' before shrubs, trees and man-made forms started dominating the landscape once more.
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  • 3 Edition A1 - 5 Edition A2<br />
(Only one left in A1 size, no.1 of 3)
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  • An isolated large cloud passed over a cloudless blue sky and darkened all the hill tops of the Carneddau in the distance, but intense sunlight continued to blast the 1000ft cliffs just ahead of me, beautiful and natural tonality
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  • A beautifully soft and rounded mountain landscape, grass covered and sensual. Amidst this gentlying blowing softness hard, prominent man made walls graphically divided the landscape. There was warmth today, not to the bare human skin but to the heart and soul...Additional info: These huge but isolated walls, stretching across this windy and exposed Welsh mountain top, simply don't meet! One stops on the left, the other starts further up to the right, it's like a massive error of judgement by the wall builders! Why :-)) Beautiful light for this bizarrely abstract landscape though.
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  • This image is available in 4 print sizes rangng from the smallest  A4 to the largest A1. All printed using pigment inks on archival cotton rag paper.<br />
<br />
Signed but unlimited<br />
<br />
A4 image = 9x6" on A4<br />
A3 image = 15x10" on A3<br />
<br />
Signed AND Limited Editions<br />
RING FOR DETAILS<br />
<br />
A2 image = 21x14" on A2<br />
A1 image = 28.5x19" on A1
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  • Available in Limited Editions of 10 x A1 and 10 x A2 prints, plus unlimited prints in the A3 and A4 sizes.
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  • One of a series of multi-exposure landscapes used to build a truer image of the experience of place and event, rather than a fraction of a second as witnessed by a metal box.
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  • This is Jan's first set of canvas prints now on show at the Glyn Davies Gallery. This image gives you an approximate idea about what a 40 x 40 cm canvas looks like.
    Jani in the gallery
  • A beautifully soft and rounded mountain landscape, grass covered and sensual. Amidst this gentlying blowing softness hard, prominent man made walls graphically divided the landscape. There was warmth today, not to the bare human skin but to the heart and soul.
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  • Spring Trees in the Gwynant Valley. The wind ws cold from the North but the sun was warm out of the wind.
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  • A gentle sideways progression of a line of sheep, like a huge lawn mower, moving towards the late winter sun.
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  • A short sunny start to a very long wet walk in this Northern tip of Snowdonia, starting at Rhaeadr Aber.
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  • A loyal and heroic dog who saved a child - a mistaken owner, an unnecesasary killing, a guilty man.
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  • On the lane from one bay to another, as I skimmed across the hill tops, a flood of intense sunshine swept the landscape, backlighting fields, trees and hillsides. The intensity of the green was rich and vivid, like the old days of shooting wonderful but innacurate film like Fuji Velvia - but this was real!
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  • It's August, it looked sunny. The hills are swarming with summer walkers, like mozzys on a sweaty cow. I have to go further and further afield at this time of year to escape the vortex desperation of lemmings sucked towards the highest peaks. Arenig Fawr jumped out at me on the map - The description: "To some, the poor Southern relative of the Snowdonia bigger peaks" - but to me exactly the reason to reach for it's summit. The downside to these hills, is that their very disuse means the paths are not so precise, so trodden or so scarred. Map reading and navigation are worthwhile skills but even with my OS1;25,000 the description of the descent as, 'follows faint, sometimes invisible paths, across boggy vegetated hillsides" did worry me a little, especially as the clouds were already thickening over Snowdonia by the time we'd even reached Capel Curig !
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  • A short sunny start to a very long wet walk in this Northern tip of Snowdonia, starting at Rhaeadr Aber.
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  • "Coming Home" shot just now!<br />
<br />
Having been stranded in South Africa during the worst pandemic in a century, when poverty and related crime become as potentially dangerous as the virus itself, we were finally evacuated back to the UK by a British Government plane. We are so relieved to be back on Welsh soil, and to have the relative freedom to walk out of our front gates, something denied to us for more than three weeks in locked down South Africa.<br />
<br />
We did a lovely walk today to try and regenerate ourselves and it was Heaven. We met several wonderful friends along the way, whom from several meters away, we were able to enjoy chatting with, revelling in human communication with others, again something denied during a total lockdown in South Africa.<br />
<br />
We ended the walk via the Belgian Prom and honestly, Telford’s Bridge has never looked so solid, so magnificent, so secure, so timeless, so beautiful. That bridge has seen wars and diseases and big cultural changes, and it’s outlived us all. It was familiar, it was welcoming, it was reassuring and ‘normal’. Watching the tide roaring between the arches was mesmerising and levelling. We will have lost so many people to this awful, society and world changing disease, but the planet will keep on spinning, the tide will keep on turning and the sun will keep on shining regardless.<br />
<br />
As I worry beyond all worry, about my Jani walking into a dangerous zone in the local hospital on a regular basis, and potentially bringing the danger home as well, I desperately try to remember that we all die eventually anyway, but that ‘life‘ will go on. It’s all a matter of time but I really don’t want anyone I love to go just yet.
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  • “In 2010 a young, funny, dynamic, 19-year-old friend of my ex-stepchildren had gone missing at Christmas, apparently having jumped off the Menai Suspension Bridge but no-one really knew for sure; there were no answers and no closure for his devastated family and friends. <br />
<br />
Weeks later in January 2011, I was out walking across this shallow wet estuary at the end of the Menai Strait. I have always gone to the sea for solace and comfort, but after this event, the sea represented something very different – swallowing, concealing. I was thinking about how lucky I was to simply be there, to breathe, to see, to live"<br />
<br />
<br />
5 x A0 Edition<br />
A1 Editions - SOLD OUT <br />
15 x A2 Editions
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  • It was only a matter of time before the fighting started. “It’s only a small island” I heard them squawk, “there’s no room for any more on here!” <br />
<br />
What they failed to recognise is that no matter how much they jostled and fought over their little patch of land, the sea level was rising regardless.<br />
<br />
As they all stood there knee-deep in water, it suddenly dawned on them that there were bigger forces at work, and that squabbling was nowhere near as important as finding alternative ways of dealing with an unavoidable reality.
    GD002145.jpg
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Glyn Davies, Professional Photographer and Gallery

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