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  • A woman walks barefoot past Faro Castle, taking a last look at the light before entering the shadows.
    Barefoot Before the Castle - Faro/Po..ugal
  • At high tide this is a vast stretch of wind-chopped sea. Small flocks of oystercatchers and turnstones skim across its surface as they wait for the spoils of low water and terns screech in the open sky before plunging into schools of small fish.<br />
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But now the estuary is empty, just acres of wet sand and silt remain. In the middle of this huge open space a woman lies recumbent in the afternoon sunshine. The last rivulets of brine silently flow past her beautiful wet body, every inch of her skin delicately textured with raised goosebumps. The sunlight and gentle breeze warmed her flesh and her salty skin became smooth.<br />
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That evening on my return journey, the tide was high once again. A lonely curlew gave its distinctive call as it flew inland to nest, and in the darkening gloom of dusk I saw movement out on the water. I focussed hard on the smooth curves amongst the small waves, and I saw a dark tail appear above the surface before the shape disappeared altogether. I can only assume it was a seal.
    Revealed at Low Tide
  • My fifth book, following a four year project exploring nude figures in wild landscape.<br />
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Signed copies from Glyn's gallery are £149 each or direct from the printing company at<br />
www.blurb.co.uk/b/7799527-landscape-figures   <br />
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This hardback 122 page book contains 54 x A4 images plus associated full captions to the images, and an introduction and index. <br />
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                       ~<br />
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Since 2011 photographer Glyn Davies has spent much of his personal time photographically exploring the relationship between nude human figures and the ‘notional’ natural landscape.<br />
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The nude in landscape is nothing new as a genre, but Glyn wanted to create images with a subtly different emphasis. Nudes in landscape are often about the beauty or pose of extremely beautiful professional models, and without the model there is sometimes nothing left. As a landscape photographer Glyn wanted the landscape to be as important as the nude itself, and the figure had to have a relevant connection to that landscape.<br />
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The subjects were not professional models but volunteers who had shown an interest in the concept. As the project developed it clearly confirmed that there is an important sensuous, sometimes sensual connection between a naked person and their environment, an empowering connection generally prevented by or concealed when wearing clothes.<br />
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Almost without exception the volunteers found the experience to be life affirming and liberating. For many this was the first time that they had felt completely at one with the earth.<br />
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“Although the nude is vital to the project and integral within the images, the images are not just ‘nudes’ but landscapes and stories. In a way they are just simple, beautiful, dreamlike visual questions” <br />
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Glyn Davies 2014
    Landscape Figures - Nudes in Wilderness
  • "Landscape Figures" Believable nudes in wild landscape<br />
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A major new exhibition, “Landscape Figures”<br />
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In 2011, the British Prime Minister catapulted professional landscape photographer, Glyn Davies, into the limelight after purchasing two of Glyn’s books as a personal gift for the Royal wedding of the Duke and Duchess of Cambridge. What people did not know at this time is that Glyn had started working in his free time on a three year major project dealing with the subject of fragility and vulnerability of the naked human form in wild landscape.<br />
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The models are inexperienced volunteers from the general public, not photographic models, and they were asked to pose completely naked, all forms of protection removed, clothes, boots and equipment so that they became exposed physically and mentally to the elements, but sensually connected to the earth and nature. Glyn said, "I mostly wanted to place the exposed figures within bigger spaces but sometimes there was a need to place them in more intimate, closer landscapes"
    Wall of Fog
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