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  • UNESCO World Heritage Site<br />
<br />
The most incredible sunset over the industrial relics of the Dinorwic slate quarries in Snowdonia. It was so peaceful up there, absolute silence as I studied the clouds gently mutating in the rich sunset over Yr Wyddfa, Wales’ highest mountain.
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  • Don’t usually mess around with PhotoShop, preferring to keep things as natural as I remember, but in this case I just felt it was a lovely pair for my old shot, “Reflecting on Past Times”
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  • What a FABULOUS morning!! Couldn't decide whether to swim or photograph, wetsuit or shorts, or even which bit of coast to visit, but after loads of procrastination I ended up in my wetsuit with my proper camera in a housing, floating around in the Menai Strait. The sun was procrastinating as much as I was, but in between HUGE slow moving clouds, brilliant bursts of sunshine illuminated the sea and its depths. Small Compass Jellyfish caused me no worry thanks to my wetsuit and my exposed hands and face were nicely warm even underwater - summer bliss!
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  • Ruins of tin mine workings in the Godolphin area of South West Cornwall. Mine shafts sink 1000ft into the depths of the earth just next to here. Looking at the beauty of nature quietly reclaiming this once massively busy mining locality it's hard to imagine just how different the place would have seemed back then, noise, commotion, danger, dusty, dirty landscapes and the increasing destruction of natural landscape in our quest for ore & minerals. I've always been fascinated by the forgotten world of dark shafts & tunnels lying beneath our feet in regions like this.
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  • The early morning sunshine cast an almost perfect shadow of one of the huge cog-wheels onto the nearby wall. It was fun to line up all three elements, linking shadows to reality. The visible shadow is a metaphor for so much of what one ‘feels’ at Y Nant; there is nothing ‘actually there’ but nevertheless we sense things and can sometimes even believe we are seeing things. The history, the topography, the remnants of what was, and the present landscape all blend together at Nant, and this blend for me at least is its ‘spirit’.
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  • Iwas just fascinated by the hard, angular patterns of wall and shadow in this old industrial construction, and the softness of the scoop of cloud overhead. On such a warm day it made me smile.
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  • From above, and in the natural serenity of recent snow, Tŷ Uchaf farmhouse looks beautiful, normal and inhabited, no longer the empty shell for sheep droppings, birds of prey and an occasional dead lamb. At one point in time I can imagine this farm could have been a very striking place to live and work, with stunning views, but the isolation, loneliness and hardship of tending livestock in this difficult valley, and getting them to market, could also have been just seriously hard work!
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  • I found the huge sweep of the bay, the plunging cliffs and the vast expanse of sky an awesome vista to behold. The knowledge that workers had carried on a very dangerous occupation in such a precipitous environment, often in awful weather conditions, was daunting to even consider. At the same time, perhaps, like the shepherds who walk stormy mountains or fishermen in rough seas, they also found something very elemental and humbling to be gained from working in these environments, something which goes beyond simple romance.
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  • Alongside the wood, a small river flows down to the sea from the cascading waterfall of Y Graig Ddu. Through the often stunted and twisted trees at its edge, the old farm of Tŷ Uchaf can be seen, no longer inhabited, but still worked by a local farmer. The sudden downpour of light on the fields created a vivid separation between the open higher ground and the cold,dark,tight-packed mass of trees behind me.Ty Uchaf was like a Wuthering Heights to me, dark windows looking out over the valley and a sense of harshness and foreboding about running a farm in this remote isolated valley.
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  • Like a creased piece of paper, this huge concrete retaining wall has folded outwards, and is now leaning precariously over the gravel slope. I was impressed that once a crack appears in such man-made solidity it soon spreads and weakens the whole structure.
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  • From my book<br />
<br />
"Nant Gwrtheyrn - Y Swyngyfaredd (The Enchantment)" available here on my website<br />
<br />
The deserted valley and quarrying village of Nant Gwrtheyrn, North Wales. Now restored as a Welsh language & conference centre.
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  • Just above the village, which contained its own bakery, shop, school and chapel, there were also farms and, of course, industry. It is quite fantastic that so much of what was needed to sustain life was found within the immediate area.
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  • Another interior of Tŷ Uchaf. Every room had its own fireplace.
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  • The morning sunshine burned through the cool March air and for a moment it appeared as if summer. <br />
<br />
Nestling into the back of this peaceful cove are the Victorian silica brickworks of Porth Wen. Today the silence was only broken by the call of Oystercatcher and the twitter of sparrows in the hedges behind me,  so different to the noise of the industry here before 1949. I’m always fascinated by the way nature gradually reclaims man’s footprints, but in the meantime I enjoy a glimpse at history, and the chance to imagine what once was.
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  • An overcast and windless day in Snowdonia last week but the rich Autumnal colours glowed beautifully in the near mirror-like surface of the mountain lake. Reflections in lakes are such a cliché so forgive me, I was just rather taken with the scene anyway and couldn't help jumping out of the van to make this image.
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  • Whilst waiting for my rock climbing partner to arrive, I couldn’t resist shooting this amazing morning sunshine illuminating striking cubist-looking slate crags. I saw them as huge landscape sculptures erupting from the dark grey slate waste all around.<br />
<br />
UNESCO World Heritage Site
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Glyn Davies, Professional Photographer and Gallery

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